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Books
by SAM |
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ISBN: 9789810825652
Singapore Art Museum
April 2009
Price: S$82.24
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An
Unbroken Line The Wu Guanzhong Donation Collection
Wu Guanzhong’s donation of 113 works to the Singapore Art Museum
in 2008 is the highest valued donation presented to a public museum
in Singapore. This exhibition will showcase all 113 works representing
five decades of the artist’s creative oeuvre. A key significance
of Wu Guanzhong’s art is the crossing and synthesising of the
two art forms of ink and oil which represent art historical and aesthetic
contexts of traditional Chinese and Western art. This exhibition is
co-organised by Singapore Art Museum, Shanghai Art Museum and National
Art Museum of China. |
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ISBN: 9789810826277
Paperback: 166 pages
Singapore Art Museum
April 2009
Price: S$38.00
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INROADS:
The Ink Journey of Lim Tze Peng
The Singapore Art Museum (SAM) with the National Art Museum of China
(NAMOC) and the Liu Haisu Art Museum, is proud to jointly present
Lim Tze
Peng's first solo show in China. The exhibition brings together his
most
recent works, as well as earlier ones drawn from SAM's collection.
The exhibition catalogue includes two essays - the first by Mr Kwok
Kian Chow, Director of SAM, entitled "Realist Sojourn, Expressionist
Return: The Art of Lim Tze Peng", and the second by Dr Zhu Qi,
Cultural Counsellor of the Embassy of the People's Republic of China
in Singapore, entitled "A Solitary Vessel in the Sea of Art -
Some Words Before Lim Tze Peng Goes to China for His Solo Exhibition".
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ISBN: 9789810826253
Paperback: 140 pages
Singapore Art Museum
Mar 2009
Price: S$48.00
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At Home Abroad
At
Home Abroad brings ‘home’ recent works by Singaporean
artists whose art practices are largely or partially based abroad,
and who have exhibited frequently on overseas platforms. The 'home-coming'
of these artworks adds a different dimension to local art discourse,
in particular the migratory nature of contemporary art practice.
The exhibition and its dedicated website will serve as a documentation
of how these various artworks have been received, both at home and
abroad .
Showcasing a variety of approaches and new media that interest these
contemporary Singaporean artists, At Home Abroad features work by
Choy Ka Fai, Jason Lim, Ming Wong, Sookoon Ang, and Zulkifle Mahmod.
Website: http://www.aha-blog.sg
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ISBN: 9789810700386
Paperback: 96 pages
Singapore Art Museum
Sep 2008
Price: S$29.90 |
8Q-Rate:
School 8Q-Rate:
School is the inaugural exhibition at 8Q sam, the Singapore Art
Museum's new contemporary art space which opened in August 2008.
Put together by 8 curators working closely with 8 local artists,
the exhibition catalogue features site-specific installation works
by Ahmad Abu Bakar, Chong Li-Chuan, Jahan Loh, Donna Ong, :phunk
Studio, Grace Tan, Tan Kai Syng and Jason Wee. These works all make
reference to the personal and generic experiences of school and
school days, and expand on the themes of education, cultivation
of knowledge, art as a discipline or field and changes in movements
and schools over time. This catalogue features curatorial essays,
artist statements and full colour photography of the installation
art pieces.
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ISBN: 9789810810320
Paper back: 196 pages
Singapore Art Museum
Oct 2008
Price: S$ 64.48
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Post-Doi
Moi: Vietnamese Art after 1990
The exhibition Post-Doi
Moi: Vietnamese Art after 1990 is held as part of the National Heritage
Board’s Vietnam Festival 2008 in celebration of the 35th anniversary
of Singapore-Vietnam diplomatic ties. It features over 60 paintings,
sculptures and video works under four themes – Reminiscence,
Land, Individual and Transformation. These themes are related to
the art developments that took place in the Vietnam after the implementation
of the Doi Moi (Renovation) campaign in 1986. The premise of the
show is based on the assumption that the effect of the policy was
evidenced by the establishment of the first private gallery in Hanoi
in 1990. This implied that a free enterprise structure had emerged
with the presence of an art market.
The curatorial report
in the publication outlines the developments that took place in
Vietnam following the launch of the Doi Moi campaign. It offers
a critical perspective into the trends observed, and the ups and
downs of the growing international art market as well as insights
into the contemporary art scenes in both Hanoi and Ho Chi Minh City.
The art works selected for the exhibition exemplifies the observations
made in this area of focus, and colour plates of the exhibits are
included in the publication. The report is supplemented with brief
articles on various aspects of the art scene, ranging from lacquer
painting to the establishment of the Vietnam Fine Arts Association.
There is also a detailed timeline from the colonial period until
1990 that provides the historical context to the understanding of
the developments that have taken place afterwards.
Included in this publication
is a summary report on the exchange programme Ket Noi: Singapore-Vietnam
Performance Art Event. This exchange took between 27 May and 8 June
2008 where a 10-day workshop culminated in a 3-day art performance
happenings. A separate publication on the documentation of the workshops
and art performances is expected to be launched early next year.
This
196-page Post-Doi Moi publication is therefore the first of a series
of three planned for the exhibition project. The remaining publication,
Symposium on Modern and Contemporary Vietnamese Art Proceedings
is also expected to be on sale early next year.
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ISBN: 9789810813833
Paper back: 114 pages
Singapore Art Museum
Oct 2008
Price: S$ 60.00
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Masriadi:
Black is My Last Weapon
Masriadi: Black is My Last Weapon, desires to evoke and present a
striking portrait of Masriadi through the displayed works and the
exhibition design. Out of the more than hundred paintings that Masriadi
has produced in approximately ten years of working as a painter, the
curators have assembled more than 30 works in four thematic sections:
Hitam Adalah Senjata Terakhir Aku (Black Is My Last Weapon), which
traces the evolution of what has become the artist's signature black-skinned
figures. These figures inhabit different identities and personalities
in each of his canvases; they date as far back as the beginning of
his career as a painter in 1998 to some of the paintings completed
in the last two years with an illusionistic emphasis on figurative
mass; Geli-Geli (Ticklish), which makes reference to the elements
of humour and the comical in Masriadi's paintings; Saya Yang Dapat!
(I Got It!), which focuses upon Masriadi's interest in conditions
and situations in everyday life where power relations are played out
and Memperjuangkan Lukisan (Fighting to Paint), which gathers a number
of works that reveals Masriadi's thoughts and opinions on being an
artist whose career is inevitably bound to painting, critics, collectors,
and writers. This catalogue includes an essay by noted curator and
writer Dwi Marianto. |
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The
Artists Village The
Artists Village (TAV) was formed within a rural-scape (or kampung)
at 61-B Lorong Gambas, Sembawang in 1988. TAV engendered radical
shifts in generating new ways and manners of thinking and making
art in the history of contemporary art in Singapore. They are also
known for producing works that are intellectually challenging and
engaged with current issues in the late 1980s, a period marked by
a sense of urgency and impetus for artists to critically re-look
and examine existing assumptions, values and concepts of art-making.
This year marks the 20th anniversary of the TAV’s establishment
and offers historical distance to evaluate and examine the significance
of it as part of the Singapore Art Museum’s series of exhibitions
on artists’ collectives.
This catalogue includes critical essays by noted art historians
curators and critics such as C.J. Wan-Ling Wee, T.K. Sabapathy,
Russell Storer and others. Documentary materials such as newspaper
articles on TAV and archival photographs of performances and other
events organized by TAV will also be featured in the catalogue.
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ISBN: 9789810801809
Paper back: 344 pages
Singapore Art Museum
Apr 2008
Price: S$ 90.00
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Xu
Beihong in Nanyang
Xu Beihong (1895-1953)
is regarded as one of the most seminal figures in the history of
modern Chinese painting. Apart from his larger than life persona
and dramatic life story spanning continents and wars, he was one
of the first to articulate the need for artistic expressions that
reflected a new modern China at the beginning of the 20th century.
As one of the earliest Chinese artists to be trained in Europe,
he was instrumental in promoting the
use of scientific realism and. the direct study of nature to rejuvenate
ink painting.
Jointly
organised by Singapore Art Museum and Xu Beihong Museum, this exhibition
features about 90 works, selected from both public and private collections
from around the world. It serves as an unprecedented opportunity
to examine many of Xu's most important works completed in Southeast
Asia and India, a number of which have never been publicly exhibited
before.
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ISBN: 9789810576233
Paperback: 116 pages
Singapore Art Museum
2006
Price: S$ 20.00
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Telah
Terbit (Out Now) Southeast Asian Contemporary Art Practices During
the 1960s to 1980s
by Ahmad
Mashadi
This publication is the documentation of the exhibition held at
the Singapore Art Museum from 1 Sept - 12 Nov 2006. Presented as
a special exhibition of the Singapore Biennale 2006, Telah Terbit
was intended as a historical background to contemporary art in Southast
Asia, featuring works from the collections of Singapore Art Museum,
National Art Gallery of Malaysia, National Museum and Ateneo Art
Gallery of the Philippines, artists and private collectors. |
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ISBN: 9810086695
Hardback: 132 pages
Singapore Art Museum
1997
Price: S$40.00
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Thomas
Yeo: A Retrospective
by Sabapathy, T.K.
A first full-length detailed study of the art of Thomas Yeo covering
39 years of his practice.Yeo is known as an abstract artist.The
beginnings of his art are found in representional schemes;it also
reveals his deep involvement in the depiction of the human figures.Yeo's
art is characterised by continuous,consistent development producing
a body of distinctive works |
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All prices
are for Singapore market only, APD reserves the right to change without
prior notice.
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