d, transnational history and critical discourse of modern art. Organized thematically and chronologically to explore Gutai s unique approach to materials, process and performativity, this publication investigates the group s radical experimentation across a range of media and styles, and demonstrates how individual artists pushed the limits of what art could be or mean in a post-atomic era. The range includes painting (gestural abstraction and post-constructivist abstraction), conceptual art, experimental performance and film, indoor and outdoor installation art, sound art, mail art, interactive or  playful art, light art and kinetic art. Illustrating both iconic Gutai and lesser-known works, this catalogue presents a rich survey reflecting new scholarship, especially on so-called  late Gutai works dating from 1965 to 1972.